UMA LULIK_

Como interromper a eternidade? (Intervalos para a dúvida) [How to interrupt eternity? (Gaps for doubt)], 2019

6 inkjet prints on cotton paper 320gr
150 x 170 cm (2); 170 x 120 cm (3); 32 x 32 cm (1)
16mm film, sound, 2'53'' (loop).
Variable dimensions.
View of the exhibition “Prémio Novos Artistas Fundação EDP”, MAAT – Museum of Art, Architecture and Technology, Lisboa (Central 1, 21/06 – 09/10/2019). Photo by Bruno Lopes. Courtesy of EDP Foundation.

Como interromper a eternidade? (Intervalos para a dúvida) [How to interrupt eternity? (Gaps for doubt)], 2019

Timeless as glass, 2019

Inkjet print on cotton paper
110 x 83,41 cm

Todas as formas sublimes são transitórias (4), 2018

Inkjet print on japonese paper 70gr
110 x 146 cm

Todas as formas sublimes são transitórias (8), 2018

Inkjet print on japonese paper 70gr
110 x 150 cm

Lighted by a Searing Light, 2018

HD video, b/w, sound, 7'43'' (loop)

Quando um sol se apaga, quem lhe restitui a luz? (8 of 9), 2017

22 x 17 cm

Vistas de Saturno, 2016-17 (detail)

154 photographies
184,5 x 175,2 cm

Displacements 1, 2014

Gesso and graphite on wood
130 x 120 x 1 cm

AnaMary Bilbao (Lisbon, 1986) studied Painting and Cinema / Moving image at Ar.Co and is a PhD student in Artistic Studies – Art and Mediations (FCSH – Universidade Nova de Lisboa and Birkbeck – University of London | FCT).

In 2019 was nominated for the 13th Edition of EDP Foundation’s New Artists Award. In 2014 Bilbao was distinguished as Young Visual Artist by CPAI – Clube Português de Artes e Ideias.

Bilbao presented the solo shows Lighted by a Searing Light at Travessa da Ermida (2019); O último brilho da estrela que morre at UMA LULIK__ (2018); Fallacious Memory at Caroline Pagès Gallery (2014) and Presente passado at Boavista Gallery (2013).

Selected group shows: FOCUS, curated by João Ribas, Toronto Convention Centre (Toronto, 2019); Prémio Novos Artistas Fundação EDP, curated by Inês Grosso, João Silvério and Sara Antónia Matos at MAAT – Museu de Arte, Arquitectura e Tecnologia (2019); Deep deep down, far far in (and out), curated by Sérgio Fazenda Rodrigues at Fundação Leal Rios (2019); A Guerra como Modo de Ver, curated by Ana C. Cachola at MACE – Museu de Arte Contemporânea de Elvas (2018); Arte em São Bento – Coleção António Cachola, curated by João Pinharanda at Palácio de São Bento (2018); O Tempo inscrito. Memória, Hiato e Projecção – Obras da Coleção de Arte Contemporânea Figueiredo Ribeiro at quARTel (2017); Correspondências Lisboa-Barcelona at Carpe Diem – Arte e Pesquisa e Espai Mallorca Barcelona (2015); On Drawing II at Cristina Guerra Contemporary Art Gallery (2014).

Her work is represented in the national public collections Coleção António Cachola, Coleção de Arte Contemporânea Figueiredo Ribeiro, Fundação Leal Rios, Fundação PLMJ and C.M.S. – Câmara Municipal de Sintra and in private collections (PT, ES, FR, GB, DE, RU, BR, CAN).