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  • Catarina Mil-Homens

    Afloat, 2015
    Charcoal on rice paper, wood
    Video 10x (60min)

    Até Que Se Torne Linha, 2014
    Charcoal, paper, cotton thread, nails
    20 x 32 x 1 cm

    Encarnações, 2013
    Charcoal, rice paper, steel wire, iron
    430 x 58 x 500 cm

    Feixe, 2013
    Steel cable, resin, charcoal, glass
    310 x 34 x 480 cm

    Nem Sempre É A Direito #3, 2013
    Charcoal, oil, pastel on paper
    100 x 100 cm

    A Mais Pequena Parcela De Tempo Que Existe, 2013
    Oil on zinc plate, charcoal on paper
    310 x 225 x 23 cm

    Inevitável Retórica Do Movimento
    Charcoal, iron, wood
    26 x 220 x 390 cm

    Resíduo, 2012
    Glass, Charcoal
    60 x 80 x 50 cm

    Resíduo, 2012 (detalhe)
    Glass, Charcoal
    60 x 80 x 50 cm

    Catarina Mil-Homens, (1979) Portugal. Lives and works in Melbourne, Australia.

    Catarina is a visual artist and researcher with a multi-disciplinary art practice that extends across the mediums of drawing, installation and video. Her research focuses on the subjects of body mind relationship and consciousness.

    Catarina graduated from the University of Lisbon in 2012 with a BA in Painting and completed in 2016 a Research MFA – at the VCA – The University of Melbourne. She was the recipient of the  VCA – Foundation Bursary, for MFA research in 2014, The University Of Melbourne faculty grant in 2015 and Galloway Lawson Prize, 2015.

    Catarina has exhibited her work in-group and solo shows both in Portugal and Australia. Selected shows: Intermater, Arcade Project Space, Melbourne, 2017; Precinct, Margaret Laurence Gallery, Melbourne, 2016; Who is Mr Favisar?, Trocadelo Gallery, Melbourne, 2015; The Age of Divinity, Plataforma Revólver, Lisboa2013; Summer Calling, Sala do Veado Museu Nacional de História Natural, Lisboa, 2013 e Nem Sempre é a Direito, exposição a solo na Galeria Módulo, Lisboa, 2013.

    Catarina Mil-Homens presents her first individual show at UMA LULIK__ in April 2019, with the exhibition Sobre a Lâmina.

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